Laia´s Phantasmophon

Here I provide the link to my presentation slides.  It focusses on the composing process that happened so far. https://www.dropbox.com/s/5aozh5x2hb6c0on/Laia%20Genc%20%20Master%20of%20Music%3A%20Jazz%20%3A%20Pop%20Voice%202016-2018%20Conservatorium%20Maastricht%20Powerpoint%20.key?dl=0

Hans Lüdemann:  piano, keyboard and electronics Aly Keita: Balaphon Drums and guest changing.  Trio Ivoire is a trio that consists of piano, balaphon and drums. They work at the melting of west african music with european jazzmusic.  I know Hans Lüdemann also as one of my piano teachers since my studies in Cologne.  I find, that this project is a bit similar to the project that Thaung Htike and I develop.  It has additional drums.  And Hans is providing electronics as well. And quarter note effects thanks to his little keyboard on top of the piano. A concept that he has been working on for a long period and involved this concept into his music in general. Observing this project now with this new perspective in mind, can I find inspiration for my work with Thaunh Htike? Inspiration:  Is it interesting for me in the future to also use electronic additions for either or both my voice and my piano??? I could imagine to gain interesting blends and effects.  Just a thought. 

The Garland of Flowers In Full Bloom Hsaing Waing Orchestra of Master Sein Tin Htay I transcribed a little part of the intro. More in phrases, no correct counted timing. I was just trying to catch the manner. 

General Inspiration: #1 #2 #4 #38 #45 Explaining The Project: #3 #46 Composing / Arranging: #5 #16 #23 #24 #26 #27 #29 #31 #35 #42 Lessons: #6 History Of The Project & Background Information: #7 #8 #9 #10 #11 #12 #15 #17 #28 #33 #34 #36 #37 #41 Other Burmese Musicians I Encountered: #13 Impressions Of Myanmar: #14 #25 Burmese Instruments:  #18 #19 #30 #32 Concerts: #20 #21 #22 #39 #40 #47 Presentation Of My Master Thesis:  #44 Overview: #43

  overview on compositional parameters used   Master Of Music Laia Genc: Nyi Mya Kyin Title  Number of musical elements used pentatonic material  reharmonisation of original  modern harmonic concepts applied  concept of layers, different time levels inspired by traditional burmese music inspired by western music diatonic material  Contrasting Composition in two different parts  Arrangement / use of original material, i.e. motives, rhythms, melodies, harmonies free parts, i.e. free improvisation, free decisions Spazieren Gehen (Thaung Htike) 6 pentatonic material  reharmonisation of original  inspired by traditional burmese music diatonic material  Contrasting Composition in two different parts  Arrangement / use of original material  Little Wing (Jimi Hendrix / Arr: Laia Genc) 6 pentatonic material  reharmonisation of original  inspired by western music diatonic material  Arrangement / use of original material: motives, rhythms, mel