41) Nyi Mya Kyin Project Timeline





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9) Myanmar Meets Europe - How It All Began...

It began in 2010.  The two musicians Tim Isfort and Jan Klare were working at the project first.  Together with Xaver Augustin , the head of the Goethe Institut Yangon/Myanmar .  As far as I understand another very important role was played by Daphne Wolff . Who came to Burma first in 2004 to learn about Burmese music as an music-ethnologist. In 2010 she was working for the Goethe Institute Yangon, organized and created collaborations between Burmese musicians and European musicians. That is how Tim Isfort and Jan Klare first met Thaung Htike .  And that was also how Daphne and Thaung Htike met. Daphne is a very important linking role. She speaks Burmese, she knows the people and their music and she can translate during the process of rehearsing.  Wich is quite important, otherwise sometimes there is no understanding in words and alas no chance to work at musical details. Tim Isfort (former festival manager of "Traumzeit" Duisburg, recently festival manager of the w
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29) Sein Bo Din / Comp.: Hein Tint / Band Arrangement: Christoph Hillmann

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Sein Bo Din Is a composition, Thaung Htike wrote. Sein Bo Din was his teacher. He wrote this piece in "Sein Bo Din Style" as he explained to me. In the style of his master. We play this piece in duo. And until that could happen there were several steps to take. We were introduced to Thaung Htikes music in 2014. Sein Bo Din: Christoph Hillmann was the drummer of the European Ensemble back then. He arranged Sein Bo Din, so we could play it together with the Hsaing Waing ensemble and the Jazz band. This is his arrangement:  Last year in October 2017 we started to play this composition also in our duo. And therefor we use Christop Hillmann´s arrangement.  Christoph has transcribed the drum figures to the piano more or less. Or he added figures that fit the melody and give some groove.  He wrote down call and response parts. He added some chords in a jazzidiom to accompany the melody (page 5). He created a solo part, that works as wel
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37) Myanmar February 2017 // Silent Movies // Friends // Art // Life // Food // Music

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In 2017 I was again traveling with Meike Goosmann and her band colleagues. This time we were to come together to play to the silent movie "Mya Ga Naing" Silent movies were and still are a big thing and very popular in Myanmar. "Mya Ga Naing" is kind of a road movie. This are some impressions of the rehearsals we did for "Mya Ga Naing": https://youtu.be/XqzKG8GT6r4 And:  At the end of 2017 the project was recorded in Myanmar. But everything happened so short notice that I could not take part in it. Which was a pity.  Here is a spontaneous morning improvisation of Michael Vatcher with the sounds of Yangon:  Pictures of the silent movie "Mya Ga Naing" I found in a cafe.  More impressions without words. Hanging together.  Visiting a friend of Tim Isfort and Jan Klare. An instrument maker.  We were invited to dinner and of course later on bought some of his instruments. Concer
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