42) Overview On Compositional Parameters Used

  overview on compositional parameters used 
 Master Of Music Laia Genc: Nyi Mya Kyin

Title 
Number of musical elements used
pentatonic material 
reharmonisation of original 
modern harmonic concepts applied 
concept of layers, different time levels
inspired by traditional burmese music
inspired by western music
diatonic material 
Contrasting Composition in two different parts 
Arrangement / use of original material, i.e. motives, rhythms, melodies, harmonies
free parts, i.e. free improvisation, free decisions
Spazieren Gehen (Thaung Htike)
6
pentatonic material reharmonisation of original 


inspired by traditional burmese music

diatonic material Contrasting Composition in two different parts Arrangement / use of original material 

Little Wing (Jimi Hendrix / Arr: Laia Genc)
6
pentatonic material reharmonisation of original 



inspired by western musicdiatonic material 

Arrangement / use of original material: motives, rhythms, melodies, harmoniesfree parts, i.e. free improvisation
Bells (Laia Genc) 
5
pentatonic material 

modern harmonic concepts applied 

inspired by traditional burmese music, melodic wise, call & response inspired by western music, rhythmic wise, change of the rhythmical feeldiatonic material 



Hnou Sat (Thaung Htike)
3
pentatonic material 



inspired by traditional burmese music, story of the song, melody

diatonic material 



Sein Bo Din (Thaung Htike / Arr: Christoph Hillmann)
6
pentatonic material reharmonisation of original modern harmonic concepts applied 

inspired by traditional burmese music, melodic wise, call & response, rhythm

diatonic material 

Arrangement / use of original material, i.e. motives, rhythms, melodies, harmonies

High Moon (Laia Genc / Sascha Ley) 
4
pentatonic material 

modern harmonic concepts applied, chromaticism, inside outside lines



diatonic material 


free parts, i.e. free improvisation, free decisions
Yinpedaytha (Thaung Htike) 
3
pentatonic material 



inspired by traditional burmese music

diatonic material 



On The Run (Laia Genc)  
3


modern harmonic concepts applied 




Contrasting Composition in two different parts 

free improvisation
Take Me To Nirvana (Laia Genc) 
2



concept of layers, different time levels





free parts, i.e. free improvisation, free decisions
Te Din Gha (Thaung Htike / Laia Genc)
6

reharmonisation of original modern harmonic concepts applied 

inspired by traditional burmese musicinspired by western musicdiatonic material 

Arrangement / use of original material, i.e. motives, rhythms, melodies, harmonies

Myanmar Folksong (Anne Paceo)
6
pentatonic material reharmonisation of original (simple) 


inspired by traditional burmese music, Anne heard the melody on the streetinspired by western music, rhythmic wisediatonic material 

Arrangement / use of original material, i.e. motives and  melodies

Resepect (Laia Genc) 
3





inspired by western music, rhythmic wise, odd meter figuresdiatonic materialContrasting Composition in two different parts


Kommentare

Kommentar veröffentlichen

Beliebte Posts aus diesem Blog

9) Myanmar Meets Europe - How It All Began...

It began in 2010.  The two musicians Tim Isfort and Jan Klare were working at the project first.  Together with Xaver Augustin , the head of the Goethe Institut Yangon/Myanmar .  As far as I understand another very important role was played by Daphne Wolff . Who came to Burma first in 2004 to learn about Burmese music as an music-ethnologist. In 2010 she was working for the Goethe Institute Yangon, organized and created collaborations between Burmese musicians and European musicians. That is how Tim Isfort and Jan Klare first met Thaung Htike .  And that was also how Daphne and Thaung Htike met. Daphne is a very important linking role. She speaks Burmese, she knows the people and their music and she can translate during the process of rehearsing.  Wich is quite important, otherwise sometimes there is no understanding in words and alas no chance to work at musical details. Tim Isfort (former festival manager of "Traumzeit" Duisburg, recently f...
Mehr anzeigen

41) Laia Genc Master Of Music: Jazz / Pop Voice 2016 - 2018

Conservatorium Maastricht Hogeschool Zuyd, Jazz-Department Laia Genc (1665421genc) Laia Genc   Master of Music: Jazz / Pop Voice 2016-2018 Laia Genc : Thaung Htike DUO Piano Meets Pad Waing Myanmar Meets Europe -  How does this particular intercultural dialogue and instrumental combination shape my composing process for this setting? Research coach: Rik Bastiaens / Sabine Kühlich Main subject teacher: Sabine Kühlich / Susanne Schneider 1. Introduction / State Of The Art______ This artistic research is about how the special combination of the Burmese instrument Pad Waing (21 diatonically tuned, hanging drums; originally translated Pad Waing means „circle“ and „hanging“) and the piano that form a duo, influences my inspiration for a composing process for this ensemble. Throughout times there have always been artists who involve into more than one discipline on an equally high level and that has ...
Mehr anzeigen